Bordertool presequel how to#

Apparently neither the Hyperion or Dahl corporations know how to make doors in space, because almost every single one you need to go through requires you to throw a breaker or manual override somewhere back in the area you just slogged through.

The Pre-Sequel is cardinally guilty of this one. I just donвЂ™t want to walk towards a diamond on my mini-map for god knows how long to get to where the fun is.ДЄnd I really donвЂ™t want to go on a multi-step wild switch hunt to trigger said fun once I get there. The early hours on the moon were particularly trying, since everything is incredibly spread out, and every low-gravity jump takes seemingly forever. The inadequate waypoint system that doesnвЂ™t save you from going in circles while looking for your next objective, the boring trek back to your quest-giver at missionвЂ™s endвЂ¦ itвЂ™s all still here. This is part of a problem Borderlands has had since the beginning, and The Pre-Sequel hasnвЂ™t solved it. ItвЂ™s a good thing too, because those laughs were often all there was to carry me through the long stretches of purposeless wandering around with barely anything to fight. He's every bit the hilarious, ego-centric asshat here that we remember him as, and his excellently written and delivered dialogue is responsible for the lion's share of the laughs. Writer Anthony Burch shows a real knack for storytelling here, drawing a more sympathetic portrait of Jack without ever making him into the clichГ©d misunderstood villain. Seeing his journey from hero to maniac is perhaps the biggest reason to make the 20-or-so-hour trek across PandoraвЂ™s moon, Elpis.

In Borderlands 2 he was perhaps the most gleefully sadistic, and effective video game villain since Final Fantasy 6's Kefka. The real star of the show in The Pre-Sequel is Jack.

Bordertool presequel